Jumat, 16 November 2012

god mesir

sun the god  of mesir
the god's
R a
Father of the gods.




  • Cult Center: Heliopolis and throughout Egypt.

  • Attributes: From very early times Ra was a sun god. He took on many of the attributes and even the names of other gods as Egyptian myths evolved. A good example of this is the god Ra and Amun merging to become Amun-Ra or Ra and Horus combining to become Ra-Harakhte. Since Ra was a god of great antiquity, there are far to many stories connected with him to relate them all. I will relate some that I find interesting, including the legend of Ra and Hathor.
    . . . . .One legend states that each day, Ra was born and began a journey across the sky. Ra was believed to travel in the Manjet-boat. or the 'Barque of Millions of Years'. He was joined on this daily journey by a crew of many gods . The Manjet-boat would sail through the twelve provinces, representing the twelve hours of daylight. At the end of each day Ra was thought to die and embarked on his night voyage. For this journey he was called Auf, which means 'corpse'. Ra sailed in a boat called the Mesektet-boat or night-barque on his journey through the twelve hours of darkness

    .
. . . . .It was not always smooth sailing on these ships. During the day Ra had to defeat his chief enemy, a serpent or snake named Apep. A great battle was faught between Ra and Apep, and Ra was usually victorious, however on stormy days or during an eclipse the Egyptians believed that Apep had been victorious and swallowed the sun.
. . . . .Because no wind blows in the Underworld, Auf (Ra) had to rely on various unfriendly spirits and demons to help tow his barque along the river in the underworld. Auf's main job in the Underworld was to bring light to the souls of the dead as he passed through their realm. After his departure these souls fell back into a lonely darkness. The Underworld of these early solar myths was a very different place then the fields of peace that we find in the Osiris cults of the later periods.

  • Representation: He is often pictured as a hawk or as a hawk headed man with a solar disk encircled by a uraeus on his head. He is often pictured wearing the double crown of upper and lower Egypt.

  • Relations: Father of the first divine couple, Shu and Tefnut. Grandfather of Geb and Nut, whose children were Osiris and Isis, Seth and Nephthys.

  • Other Names: Re, Phra.

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 Osiris

 image
.In the wonderfully decorated burial chamber of Ramesses I, we see the seated gods Osiris and Khepri. Osiris was the king of the dead. Legend has it he was the first king in Egypt to be mummified. This mummification was performed by his grieving wife, Isis. Osiris embodies the idea of rebirth in the afterlife. He is shown as a mummy wrapped in white cloth. His green skin represents the rebirth of vegetation after the annual Nile flood. Khepri is the scarab-headed god. It was Khepri who would push the barque of the sun on its daily journey across the sky. He was also associated with rebirth into the afterlife. Iun Mutef is standing in front of Osiris, wearing a leopard skin which is a sign of the priesthood. Iun Mutef is a form of the god Horus meaning "support of his mother". This form of horus took on may priestly functions.

 
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  Amon

 Amon (Amun, in English) "The hidden" creative power symbol and "Father of all the wind" in Egyptian mythology.Amon, identified by two long feathers headdress segmented.Amon Hellenization of the Egyptian name Amen. Originally Theban god, whose cult popularized when Thebes became one of the most influential of Egypt, after the expulsion of the Hyksos in the hands of the princes of Thebes, which may result Seventeenth DynastyHe is described as a man with a black or blue, or as animals, the head of the ram. In one statement over running head headdress consisted of two pens, divided into several parts, and the solar disk at the base. This could bring uas sticks and Ankh.Sometimes it looks like a mummy, as a creator god, a ram or four heads, with strong horns around their ears, criocéfala sphinxes, snakes, lions, or goose.In the Pyramid Texts is considered as the god of the air, but was later associated with Ra, the god of Heliopolis, the god Surya, under the name of Amun-Ra became the main deity of the religion of Egypt, and the pharaohs whose names take some of his titulary.This is the first known mention of God in the Old Kingdom Pyramid Texts, gaining prominence towards the end of the First Intermediate Period in Thebes.Statue of Tutankhamun (Tut) as Amun at Karnak Temple.During the Twelfth Dynasty of the Middle Kingdom (c. 2000-1800 BC.), Weaving large in Thebes, where he founded called Karnak temple.At the beginning of the New Kingdom dynasties are considered gods, because he claimed devotion Theban pharaohs, surpassed the dominance of warrior god Montu, another gods worshiped at Thebes. The war against the Hyksos by the princes of Dynasty XVII Thebans also cause elevation god of the Egyptian pantheon supreme deity, once victory is achieved with the liberation and reunification.

Priests of Amun became the most influential sectors of Egyptian society during the New Kingdom, even to deal with the so-called "heretic pharaoh" Amenhotep IV (Akhenaten). At this time started their synthesis with the ancient god Ra, the name "Amen-Ra".In the Late Period Egypt gained universal character, known by the Greek name of Amun-Ra-sonter "Amen-Ra, king of the gods."Amon is a set of abstract concepts relating to air, because everywhere and at all times, giving rise to the title of "hidden" because he could not see, but feel, and generously attended the demand that people can not get through prayer and offerings. Amon is associated with other gods, and their wives Amonet and Mut and their son Khonsu. In Debod, Dakka and have a companion to Satis Dendur.The cult of Amun reach of major importance to the expulsion of the Hyksos, achieved at the end of the seventeenth dynasty, the prince came from Uaset (Thebes).Thus, the city of Thebes, and the god Amun are closely related. In ancient Egypt, every town has a particular god region, Akhmim with Min, Amun of Thebes, dedicated to the god Ptah Memphis, Abydos Osiris, Ra of Heliopolis worship and a number of small towns and cities have their local god, as protector of the city, for example with the Egyptian goddess Wadjet Buto denoted by asp, often seen as a real attribute in the crown of the pharaohs.A feature of the Egyptian pantheon of gods is a habit they are grouped in triads: usually a couple with a child at Abydos was the cult of Isis, Osiris and Horus son, worship at Heliopolis Shu and Tefnut, with or Geb Nut, and the area of ​​Thebes, divine couples Amon and Mut formed by his wife, with their son Khonsu.Some characters from the title of Egypt adopted the name Amun (Amen): four pharaohs of Dynasty XII, called Amenemhat, "Amun is the first", some of Dynasty XIII, four pharaohs of Dynasty XVIII, Amenhotep called "Amen satisfied" by the Greeks called Amenhotep , such as the famous Tutankhamun (Tut) "live image of Amun", or Amenhotep IV, Amenmeses of the nineteenth dynasty, Amenemopet "Amun in Thebes is" Siamun of Dynasty XXI,Back to top

 





Isis
The Throne.


    Sekhmet at Kom Ombo copyright Gerard Ducher
  • Cult Center: A temple is dedicated to her on the Island of Philae, near the first cataract. She is revered throughout Egypt. 

  • Attributes: Isis is one of the earliest and most important goddess in ancient Egypt. She was regarded as the feminine counterpart to Osiris, a role she probably occupied before the dawn of dynastic Egypt. No other Egyptian deity has stood the test of time as well as Isis. Her cult was not extinguished with the other Egyptian gods, but was embraced by the Greeks and Romans, her worship has even lasted into the present day. She was revered by the Egyptian people as the great mother-goddess and represents the maternal spirit in its most intimate form. She is often seen suckling a young Horus. In the Osiris legend she is seen as a dutiful wife, a grieving widow and as a protector of the dead.
    As a winged goddess she may represent the wind. In the Osiris legend there are references to Isis wailing and moaning like the wind. She is also continually travelling up and down the land in search of her lost husband. Upon finding Osiris' body, she takes the shape of one of the swiftest birds, a kite. Flapping and darting above his dead body she wails in mourning. She restores life to Osiris by flapping her wings and filling his mouth and nose with air.
    Isis was a great enchantress, the goddess of magic. Together with Thoth, she taught mankind the secrets of medicine. She was the embalmer and gaurdian of Osiris. She is often rendered on the foot of coffins with long wings spread to protect the deceased.


  • Representation: A woman wearing on her head the hieroglyphic symbol of her name, which represents a throne or seat. Often seen wearing horns and a solar disk on her head. Sometimes she is pictured with wings, It is noteworthy that she is one of only a few deities that we find with wings in ancient Egyptian mythology.

  • Relations: Daughter of Nut and Geb. Sister of Osiris, Nephthys, and Seth. Wife of Osiris. Mother of Horus.

    horus



    Horus is one of the most important deities in the Ancient Egyptian religion, he worshiped since pre-dynastic period until the time of the Greeks and Romans. Horus is the son of Isis and Osiris, but in another tradition Hathor is considered as the mother, sometimes isterinya.Dalam Egyptian pantheon, Horus was worshiped as the god of the sky, the god of war and patron deity. Various embodiments of Horus are recorded in history but regarded as distinct gods by Egyptolog.Berbagai different forms it may be a different perception of the same but in layers that accentuate certain characteristics or syncretic relationships with each other, according to the Egyptian perspective view that there are many aspects of reality.

    The earliest forms of manifestation of Horus is the god protector Eagles Nekhen in Upper Egypt, and also one of the first national god of Egypt. This deity is specifically associated with the king (pharaoh), which when considered as a manifestation of life on earth, and Horus as Osiris when it wafat.Hubungan most common family describes Horus as the son of Isis and Osiris but in another tradition Hathor is considered as mother and sometimes as his wife. Horus served many functions in the ranks of Egypt, especially to the sun god, war and protection.
     
    In the depth of the temple, our guide shows us a trap door. Scrambling down a short staircase, crawling through a small opening we find ourselves in a cool, cramped corridor. Lit by a string of electric lights, the walls shine. They are made of alabaster, beautifully carved in low relief. Paint still clings in places while others are polished by the touch of generations. 


    Anubis
    Guardian of the underworld.



    • Cult Center: Thinis, Lycopolis, quickly spreading throughout Egypt.

    • Attributes: Guardian of the Necropolis (cemetery). He was the guide of the dead as they made their way through the darkness of the underworld. As a patron of magic, it was believed he could foresee a persons destiny, in this role he was the announcer of death.
       
      Anubis was the patron of embalming. He was also the keeper of poisons and medicines. He provided unguents and rare herbs to help Isis and Nephthys with the embalming of Osiris. Anubis then performed the funeral of Osiris, which would be the model for all funerals to come. As he received the mummy into the tomb, he performed the 'Opening of the Mouth' ceremony.
      In the "Hall of Maat", Anubis appears on behalf of the deceased. It was Anubis who saw that the beam of the great scale was in the proper position as he supervises the weighing of the heart of a deceased person against the feather of Maat. The god of knowledge,Thoth, records the results. It is also Anubis that protects the dead from Ammut, the 'Devourer'.

    • Representation: A man with the head of a jackal. A dog or a jackal.

    • Relations: Son of Nephthys and Osiris, some believe him to be the son of Seth. Later adopted by Isis.
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    Sobek
    He who causes to be fertile.



    • Cult Center: Crocodilopolis in the Faiyum, after the Twelfth Dynasty he was worshipped everywhere with cult centers at Kom Ombo, Thebes and at Lake Moeris.

    • Attributes: Admired and feared for his ferocity. At the command of Ra, He performed tasks such as catching with a net the four sons of Horus as they emerged from the waters in a lotus bloom. Sometimes identified with Seth when Seth took the form of a crocodile. It is said that in the Osiris legends, Horus takes the form of a crocodile in order to retrieve the parts of Osiris's body that were cast into the Nile by Seth.

    • Representation: A crocodile, a mummified crocodile or as a man with a crocodile-head. Sometimes wearing horns like those of Amon-Ra, and the solar disk.

    • Relations: Son of Neith of Sais.

    • Other Names: Sebek, Sebek-Ra, Sobk, Suchos, Sobki or Soknopais.

    Thoth
    The Great Measurer.


     Cult Center: Eshmunen or Hermopolis.

        Attributes: Thoth was a moon god who played an important role in the Osiris legend and the judgment of the dead in the Hall of Maat. Thoth was said to be mighty in knowledge and divine speech. The inventer of spoken and written language. As the lord of books he was the scribe of the gods and patron of all scribes. He is credited with inventing astronomy, geometry, and medicine. Thoth was the measurer of the earth and the counter of the stars, the keeper and recorder of all knowledge. It was Thoth who was believed to have written important religious texts such as The Book of the Dead. In this text, he appears in the Hall of Maat as a scribe holding a writing reed and palette to record the results of the weighing of the deceased's heart against the feather of Maat.


        Representation: A man with the head of an Ibis. An ibis or an ape. A dog faced ape. He is often seen wearing a lunar disk and cresant on his head or the Atef crown.

        Relations: Self conceived at the beginning of time. Husband of Maat. Brother and some times husband of Seshat.

        Other Names: Tehuti.

    sekhmet
    Sekhmet 

    Sekhmet (Sakhmet) is one of the oldest known Egyptian deities. Her name is derived from the Egyptian word "Sekhem" (which means "power" or "might") and is often translated as the "Powerful One". She is depicted as a lion-headed woman, sometimes with the addition of a sun disc on her head. Her seated statues show her holding the ankh of life, but when she is shown striding or standing she usually holds a sceptre formed from papyrus (the symbol of northern or Lower Egypt) suggesting that she was associated primarily with the north. However, some scholars argue that the deity was introduced from Sudan (south of Egypt) where lions are more plentiful.

    She was often closely associated with Hathor (the goddess of joy, music, dance, sexual love, pregnancy and birth). In this partnership, she was seen as the harsh aspect of the friendly Hathor. A temple was constructed by Amenemhet II to Sekhmet-Hathor at Kom el Hisn (Imau in the western Delta) in which she and Hathor are referred to as the "Mistress of Imau". Imau was situated near a branch of the Nile that has since shifted eastwards, but in ancient times the town was right on the edge of the desert on the route to the Libyan frontier. Clearly it was hoped that Sekhmet would protect the border.

    Sekhmet's main cult centre was in Memphis (Men Nefer) where she was worshipped as "the destroyer" alongside her consort Ptah (the creator) and Nefertum (the healer).

    Sekhmet was represented by the searing heat of the mid-day sun (in this aspect she was sometimes called "Nesert", the flame) and was a terrifying goddess. However, for her friends she could avert plague and cure disease. She was the patron of Physicians, and Healers and her priests became known as skilled doctors. As a result, the fearsome deity sometimes called the "lady of terror" was also known as "lady of life". Sekhmet was mentioned a number of times in the spells of The Book of the Dead as both a creative and destructive force, but above all, she is the protector of Ma'at (balance or justice) named "The One Who Loves Ma'at and Who Detests Evil".

    Pendant depicting the Tutankhamun with Sekhmet and Ptah from www.egyptarchive.co.uk

    Ramesses II with Sekhmet and Ptah
    She was also known as the "Lady of Pestilence" and the "Red Lady" (indicating her alignment with the desert) and it was thought that she could send plagues against those who angered her. When the centre of power shifted from Memphis to Thebes during the New Kingdom the Theban Triad (Amun, Mut, and Khonsu), Sekhmet's attributes were absorbed into that of Mut (who sometimes took the form of a lion).
    Sekhmet at Kom Ombo copyright Gerard Ducher  
    She was associated with the goddesses given the title "Eye of Ra". According to myth, Ra became angry because mankind was not following his laws and preserving Ma'at (justice or balance). He decided to punish mankind by sending an aspect of his daughter, the "Eye of Ra". He plucked Hathor from Ureas on his brow, and sent her to earth in the form of a lion. She became Sekhmet, the "Eye of Ra" and began her rampage. The fields ran with human blood. However, Ra was not a cruel deity, and the sight of the carnage caused him to repent. He ordered her to stop, but she was in a blood lust and would not listen. So Ra poured 7,000 jugs of beer and pomegranate juice (which stained the beer blood red) in her path. She gorged on the "blood" and became so drunk she slept for three days. When she awoke, her blood lust had dissipated, and humanity was saved. In one version of the myth, Ptah is the first thing she sees on awaking and she instantly fell in love with him. Their union (creation and destruction) created Nefertum (healing) and so re-established Ma'at.

    The saving of mankind was commemorated every year on the feast day of Hathor/Sekhmet. Everyone drank beer stained with pomegranate juice and worshipped "the Mistress and lady of the tomb, gracious one, destroyer of rebellion, mighty one of enchantments". A statue of Sekhmet was dressed in red facing west, while Bast was dressed in green and faced east. Bast was sometimes considered to be Sekhmet´s counterpart (or twin depending on the legend), and in the festival of Hathor they embodied the duality central to Egyptian mythology. Sekhmet represented Upper Egypt while Bast represented Lower Egypt.
    Sekhmet at Kom Ombo copyright Gerard Ducher
    Sekhmet was closely associated with Kingship. She was often described as the mother of Maahes, the lion god who was a patron of the pharaoh and the pyramid texts (from dynasty five) suggest that the Pharaoh was conceived by Sekhmet. For example, one relief depicts the Pharaoh Niuserre being suckled by Sekhmet. This ancient myth is echoed in the New Kingdom reliefs in the temple of Seti I which depict the Pharaoh being suckled by Hathor whose title is "mistress of the mansion of Sekhmet". Ramesses II (Seti's son) adopted her as a symbol of his power in battle. In friezes depicting the Battle of Kadesh, Sekhmet appears on his horse, her flames scorching the bodies of enemy soldiers. But, one Pharaoh in particular seems to have had an obsession with Sekhmet. Amenhotep III (father of Akhenaten, Dynasty Eighteen) built hundreds of statues of Sekhmet in the precinct of Mut's temple (known as "Isheru") south of the Great Temple of Amun in Karnak. It is thought that there was one for every day of the year and that offerings were made every day.


    Khnum

    KhnumKhnum


    Khnum (Khnemu, Khenmu, Khenmew, Chnum) was one of the most ancient gods of Egypt, whose worship is thought to have been popular as early as the Predynastic Period. References from the Pyramid Texts of Unas confirm that his worship was long established even at that early stage and the Old Kingdom pharaoh Khufu (the builder of the Great Pyramid) was actually called "Khnum-Khufu" ("Khnum is his Protector"). However, it seems that the cult of Ra (or Re) rose to dominance at that time and Khnum was pushed to the sidelines as Khufu's son and grandson (Khaf-Re and Menkau-Re) both took names honouring Ra.
    Khnum    

    Khnum was originally a water god who was thought to rule over all water, including the rivers and lakes of the underworld. He was associated with the source of the Nile, and ensured that the inundation deposited enough precious black silt onto the river banks to make them fertile. The silt also formed the clay, the raw material required to make pottery. As a result he was closely associated with the art of pottery. According to one creation myth, Khnum moulded everything on his potters wheel, including both the people and the other gods. In Iunyt (Esna, in the 3rd Nome of Upper Egypt) it was proposed that he also created the "First Egg" from which the sun was born (as Nefertum, Atum or Ra).

    As well as creating the body and the "ka" (spirit) of each newborn child, he could bless the child. The Westcar Papyrus from the Second Intermediate Period includes the story of Khufu and the Magician in which the birth of three pharaohs is attended by Isis, Nephthys, Meskhenet, Heqet and Khnum. After each child was born Khnum gave them the gift of "health". The pharaoh Hatshepsut also claimed that Khnum had formed her "ka" and given her the blessing of health at the request of her "father" Amun-Ra.

    Khnum was also a protective deity of the dead. Spells invoking the assistance of Khnum can be found in the Book of the Dead and on many of the heart-scarabs interred with the dead because it was thought that he would help the deceased obtain a favourable judgement in the Halls of Ma´at.

    The ram was considered to be a very potent animal, and so Khnum was assocaited with fertility. He makes an appearance on the "Famine Stele" found on Sehel island. The stele (which was allegedly inscribed during the reign of Djoser) tells that the pharaoh dreamed that the god would deliver the country from a terrible famine if a temple was built in his honour. The pharaoh immediately consecrated a temple to Khnum, and as promised the famine came to an end.

    Khnum at Esna copyright John Campana
    Khnum was one of the gods who was thought to have helped Ra on his perilous nocturnal journey through the underworld. It is also thought that he created the boat which carried Ra and helped defend the sun god against the serpent Apep (Apothis). Yet, he was sometimes considered to be the "ba" of Ra, because the word for "ram" in egyptian was also "ba". When Khnum was merged with Ra to form the composite deity Khnum-Ra this deity was associated with Nun (who represented the primeaval waters), and given the epithet Hap-ur ("great Nile" or " Nile of heaven").
        Khnum at Esna copyright John Campana
    The Elephantine triad: Satet, Anuket and Khnum    

    His cult was centered on the island of Abu (Elephantine 1st nome of Upper Egypt) where he had been worshiped since the Early Dynastic period . During the New Kingdom he was worshiped there as head of a triad with his wife Satet and his daughter Anuket. He was also worshipped at Esna (Iunyt) where he was thought to be married to both Menhet and Nebtu (a local goddess) and to be the father of Heka (god of magic known as "He Who Activates the Ka"). He was also though to be the husband of Neith at Esna. In Antinoe (Her-wer) he was married to Heqet, the frog goddess associated with childbirth and conception. He was associated with Her-shef at Herakleopolis Magna, and was often linked to Osiris. He was sometimes associated with Isis to represent the Upper Egypt, just as Ptah-Tanen was associated with Nepthys in representing Lower Egypt.

    His name derives from the root khnem, "to join, to unite," and with khnem, "to build"; astronomically the name refers to the "conjuction" of the sun and moon at stared seasons of the year, Khnum was the 'Father of Fathers and the Mother of Mothers' of the pharaoh. As a water god he was sometimes named "KebH", meaning "purify". He was depicted as either a ram, a man with the head of a ram or a man with the horns of a ram. He was (very rarely) depicted with the head of a hawk, indicating his solar connections. He often wears the plumed white crown of Upper Egypt and was sometimes shown as holding a jar with water flowing out of it indicating his link with the source of the Nile. During the early period he was depicted as the early type of domesticated ram (with long corkscrew horns growing horizontally outwards from his head), but in later times was represented by the same type of ram as Amun (with horns curving inward towards him). Occasionally he was depicted with four ram heads (representing sun god Ra, the air god Shu, the earth god Geb and Osiris the god of the underworld ). In this form he was known as Sheft-hat.



    Nephthys

    Nebthwt (Nephthys)Nebthwt


    Nephthys copyright Sully
    Nephthys was an ancient goddess, who was referenced in texts dating back to the Old Kingdom. She was a member of the Ennead of Heliopolis as the daughter of Geb and Nut and the sister of Osiris, Isis and Horus and the sister and wife of Set. When the Ennead and Ogdoad merged, Nephthys was given a place on Ra's boat so that she could accompany him on his journey through the underworld. Nephthys is the Greek pronunciation of her name. To the Ancient Egyptians she was Nebthwt (Nebhhwt or Nebthet) meaning "the Mistress of the House". The word "hwt" ("house") may refer to the sky (as in Hwt-hor, the "House of Horus" - the name of Hathor), but it also refers to either the royal family or Egypt as a whole. The latter makes a great deal of sense as she was described as the head of the household of the gods and was thought to extend her protection to the head female of every household. She was sometimes associated with Ptah-Tanen in representing Lower Egypt, while Khnum and Isis represented Upper Egypt.

    It seems that she was originally conceived of as the female counterpart of Set. He represented the desert, while she represented the air. Set was infertile (like the desert that he represented) and was frequently described as either bisexual or gay and so Nephthys was often considered to be barren. As a goddess of the air, she could take the form of a bird, and because she was barren she was associated with the vulture - a bird which the Egyptians believed did not bear children. The Egyptians thought that all vultures were female (because there is very little difference in the appearance of a male vulture), and that they were spontaneously created from the air. While the care shown by a mother vulture for her child was highly respected, the Egyptians also recognised that vultures fed on carrion and associated them with death and decay. As a result, Nephthys became a goddess of death and mourning.
    Nephthys    

    NephthysProfessional mourners were known as the "Hawks of Nephthys", in recognition of her role as a goddess of mourning. It was also believed that she protected Hapi in his role as of the Four sons of Horus (who guarded the organs stored in the four canopic jars). Hapi protected the lungs, and as a goddes of the air Nephthys was his guardian. She was also one of the four goddesses who guarded the shrine buried with the Pharaoh. She appears with Isis, Selkit (Serqet) and Neith on the gilded shrine of Tutankhamun, but was often depicted with Isis, Bast and Hathor in this role. Yet, she was also said to be the source of both rain and the Nile river (associating her with Anuket) and was thought to protect women in childbirth (with the assistance of her sister, Isis). Thus she was closely associated with both death and life.

    Although she was technically infertile, later myths claimed that she was the mother of Anubis by either Osiris or Set (depending on the myth). This came about because Anubis' position as the god of the dead was usurped by Osiris when the theologies of the Ennead and the Ogdoad merged. According to one myth Nephthys disguised herself as Isis to get the attention of her neglectful husband Set, but instead seduced Osiris (who apparently did not realise that it was Nephthys). An alternative myth made it clear that Nephthys intended to seduce Osiris from the beginning and drugged his wine to make her task easier, while a less common myth held that she did trick her husband into a brief daliance in order to concieve Anubis. It is suggested that this tale also explained the flowering of a plant in a normally barren area because Set apparently discovered the adultery when he found a flower left by his brother Osiris.
        Nephthys copyright Sully

    Isis and Nephthys were very close despite Nephthys' alleged infidelity with Osiris (the husband of Isis) and her marriage to Set (the murderer of Osiris). Nephthys protected the body of Osiris and supported Isis as she tried to resurrect him. The goddesses are so similar in appearance that only their headdresses can distinguish them and they always appear together in funerary scenes. Together Isis and Nephthys could be said to represent day and night, life and death, growth and decay. In Heliopolis, Isis and Nephthys were represented by two virginal priestesses who shaved off all of their body hair and were ritually pure.

    Nephthys was usually depicted as a woman with the hieroglyphs of her name (a basket on top of the glyph representing the plan of an estate) on her head. She could also be depicted as a mourning woman, and her hair was compared to the strips of cloth used in mummification. She also occasionally appears as a hawk, a kite or a winged goddess in her role as a protector of the dead. Her major centers of worships were Heliopolis (Iunu, in the 13th Nome of Lower Egypt), Senu, Hebet, (Behbit), Per-mert, Re-nefert, Het-sekhem, Het-Khas, Ta-kehset, and Diospolites.




    Ma´at

    Ma'at



    Although she was often personified, Ma´at is perhaps best understood as an idea, rather than a goddess, but she was central to conceptions of the universe, balance and divine order in Ancient Egypt. The name Ma´at is generally translated as "that which is straight" or "truth" but also implies "order", "balance" and "justice". Thus Ma´at personified perfect order and harmony. She came into being when Ra rose from the waters of Nun (Chaos) and so she was often described as a daughter of Ra. She was sometimes considered to be the wife of Thoth because he was a god of wisdom.

    The ancient Egyptians believed that the universe was ordered and rational. The rising and setting of the sun, the flooding of the Nile and the predicable course of the stars in the sky reassured them that there was permanence to existence which was central to the nature of all things. However, the forces of chaos were always present and threatened the balance of Ma´at. Each person was duty bound to preserve and defend Ma´at and the Pharaoh was perceived as the guardian of Ma´at. Without Ma´at, Nun would reclaim the universe and chaos would reign supreme.

    The Egyptians also had a strong sense of morality and justice. They felt that the good should prosper, and that the guilty would be punished. They praised those who defended the weak and the poor and placed a high value on loyalty especially to ones family. However, they also understood that it was not possible to be perfect, just balanced. Ma´at transcended specific ethical rules (which differed according to different times and different peoples) and instead focused on the natural order of things. That being said, certain actions were clearly against Ma´at as they increased the effect of chaos and had a purely negative effect on the world.

    Ma'at
    Each Egyptian's soul was judged in the Hall of Ma´at (depicted in the book of the dead and book five of the book of gates) when they died. Their heart (conscience) was weighed against the feather of Ma´at (an ostrich feather) on scales which represented balance and justice. If their heart was heavier than the feather because they had failed to live a balanced life by the principles of Ma´at their heart was either thrown into a lake of fire or devoured by a fearsome deity known as Ammit. If, however, the heart balanced with the feather of Ma´at they would pass the test and gain eternal life. At certain times it was Osiris who sat as judge in the ritual, and many other deities were involved in the ceremony, but the scales always represented Ma´at.

    The Ancient Egyptians also had a well developed legal system to ensure that Ma´at was preserved in daily life. It is thought that the Priests of Ma´at were involved in the justice system as well as tending to the needs of the goddess.

    All rulers respected Ma´at, but Akhenaten in particular emphasised his adherence to Ma´at, despite (or perhaps because of) his rather unconventional approach to the gods. Hatshepsut also emphasised her reverence for Ma´at by taking the throne name Ma´atkare (justice is the soul of re), again possibly because as a female ruler she needed to show that her position was in line Ma´at. She also built a small temple to Ma´at within the precinct of Montu in Karnak.

    Ma´at was depicted as a woman wearing a crown with a single ostrich feather protruding from it. She is occassionally depicted as a winged goddess. Her totem was a stone platform representing the stable foundation on which order was built and the primeaval mound which first emerged from the waters of Nun (chaos).

    Hathor

    Hathor
     Hathor is one of the most famous goddesses of Ancient Egypt. She was known as "the Great One of Many Names" and her titles and attributes are so numerous that she was important in every area of the life and death of the ancient Egyptians. It is thought that her worship was widespread even in the Predynastic period because she appears on the Narmer palette. However, some scholars suggest that the cow-headed goddess depicted on the palette is in fact Bat (an ancient cow goddess who was largely absorbed by Hathor) or even Narmer himself. However, she was certainly popular by the Old Kingdom as she appears with Bast in the valley temple of Khafre at Giza. Hathor represents Upper Egypt and Bast represents Lower Egypt.

    She was originally a personification of the Milky Way, which was considered to be the milk that flowed from the udders of a heavenly cow (linking her with Nut, Bat and Mehet-Weret). As time passed she absorbed the attributes of many other goddesses but also became more closely associated with Isis, who to some degree usurped her position as the most popular and powerful goddess. Yet she remained popular throughout Egyptian history. More festivals were dedicated to her and more children were named after her than any other god or goddess of Ancient Egypt. Her worship was not confined to Egypt and Nubia. She was worshipped throughout Semitic West Asia, Ethiopian, Somlia and Libya, but was particularly venerated in the city of Byblos.

    She was a sky goddess, known as "Lady of Stars" and "Sovereign of Stars" and linked to Sirius (and so the goddesses Sopdet and Isis). Her birthday was celebrated on the day that Sirius first rose in the sky (heralding the coming innundation). By the Ptolemaic period, she was known as the goddess of Hethara, the third month of the Egyptian calendar.

    As "the Mistress of Heaven" she was associated with Nut, Mut and the Queen. While as "the Celestial Nurse" she nursed the Pharaoh in the guise of a cow or as a sycamore fig (because it exudes a white milky substance). As "the Mother of Mothers" she was the goddess of women, fertility, children and childbirth. She had power over anything having to do with women from problems with conception or childbirth, to health and beauty and matters of the heart. However, she was not exclusively worshipped by women and unlike the other gods and goddesses she had both male and female priests.
        Hathor



    Hathor copyright Gerard Ducher
    Hathor was also the goddess of beauty and patron of the cosmetic arts. Her traditional votive offering was two mirrors and she was often depicted on mirrors and cosmetic palettes. Yet she was not considered to be vain or shallow, rather she was assured of her own beauty and goodness and loved beautiful and good things. She was known as "the mistress of life" and was seen as the embodiment of joy, love, romance, perfume, dance, music and alcohol. Hathor was especially connected with the fragrance of myrrh incense, which was considered to be very precious and to embody all of the finer qualities of the female sex. Hathor was associated with turquoise, malachite, gold and copper. As "the Mistress of Turquoise" and the "lady of Malachite" she was the patron of miners and the goddess of the Sinai Peninsula (the location of the famous mines). The Egyptians used eye makeup made from ground malachite which had a protective function (in fighting eye infections) which was attributed to Hathor.
    Hathor from the tomb of Horemheb in the Valley of the Kings copyright Jean Pierre Dalbera     

    She was the patron of dancers and was associated with percussive music, particularly the sistrum (which was also a fertility fetish). She was also associated with the Menit necklace (which may also have been a percussion instrument) and was often known as "the Great Menit". Many of her priests were artisans, musicians, and dancers who added to the quality of life of the Egyptians and worshipped her by expressing their artistic natures. Hathor was the incarnation of dance and sexuality and was given the epithet "Hand of God" (refering to the act of masturbation) and "Lady of the Vulva". One myth tells that Ra had become so despondent that he refused to speak to anyone. Hathor (who never suffered depression or doubt) danced before him exposing her private parts, which caused him to laugh out loud and return to good spirits.
        Hathor copyright Gerard Ducher

    As the "lady of the west" and the "lady of the southern sycamore" she protected and assisted the dead on their final journey. Trees were not commonplace in ancient Egypt, and their shade was welcomed by the living and the dead alike. She was sometimes depicted as handing out water to the deceased from a sycamore tree (a role formerly associated with Amentet who was often described as the daughter of Hathor) and according to myth, she (or Isis) used the milk from the Sycamore tree to restore sight to Horus who had been blinded by Set. Because of her role in helping the dead, she often appears on sarcophagi with Nut (the former on top of the lid, the later under the lid). She occassionally took the form of the "Seven Hathors" who were associated with fate and fortune telling. It was thought that the "Seven Hathors" knew the length of every childs life from the day it was born and questioned the dead souls as they travelled to the land of the dead. Her priests could read the fortune of a newborn child, and act as oracles to explain the dreams of the people. People would travel for miles to beseech the goddess for protection, assistance and inspiration. The "Seven Hathors" were worshiped in seven cities: Waset (Thebes), Iunu (On, Heliopolis), Aphroditopolis, Sinai, Momemphis, Herakleopolis, and Keset. They may have been linked to the constellations Pleiades.

    However, she was also a goddess of destruction in her role as the Eye of Ra - defender of the sun god. According to legend, people started to criticise Ra when he ruled as Pharaoh. Ra decided to send his "eye" against them (in the form of Sekhmet). She began to slaughter people by the hundred. When Ra relented and asked her to stop she refused as she was in a blood lust. The only way to stop the slaughter was to colour beer red (to resemble blood) and pour the mixture over the killing fields. When she drank the beer, she became drunk and drowsy, and slept for three days. When she awoke with a hangover she had no taste for human flesh and mankind was saved. Ra renamed her Hathor and she became a goddess of love and happiness. As a result, soldiers also prayed to Hathor/Sekhmet to give them her strength and focus in battle.

    Her husband Horus the elder was associated with the pharaoh, so Hathor was associated with the Queen. Her name is translated as "The House of Horus", which refers both to the sky (where Horus lived as a Hawk) and to the royal family. She had a son named Ihy (who was a god of music and dancing) with Horus-Behdety and the three were worshipped at Denderah (Iunet). However, her family relationships became increasingly confusing as time passed. She was probably first considered to be the wife of Horus the elder and the daughter of Ra, but when Ra and Horus were linked as the composite deity Re-Horakty she became both the wife and the daughter of Ra.

    This strengthened her association with Isis, who was the mother of Horus the child by Osiris. In Hermopolis (Khmunu) Thoth was the foremost god, and Hathor was considered to be his wife and the mother of Re-Horakhty (a composite deity which merged Ra with Hor-akhty).
        Hathor, from the Papyrus of Ani

    Of course, Thoth already had a wife, Seshat (the goddess of reading, writing, architecture and arithmetic), so Hathor absorbed her role including acting as a witness at the judgement of the dead. Her role in welcoming the dead gained her a further husband - Nehebkau (the guardian of the entrance of the underworld). Then when Ra and Amun merged, Hathor became seen as the wife of Sobek who was considered to be an aspect of Amen-Ra. Yet Sobek was also associated with Seth, the enemy of Horus!

    She took the form of a woman, goose, cat, lion, malachite, sycamore fig, to name but a few. However, Hathor's most famous manifestation is as a cow and even when she appears as a woman she has either the ears of a cow, or a pair of elegant horns. When she is depicted as entirely a cow, she always has beautifully painted eyes. She was often depicted in red (the color of passion) though her sacred color is turquoise. It is also interesting to note that only she and the dwarf god Bes (who also had a role in childbirth) were ever depicted in portrait (rather than in profile). Isis borrowed many of her functions and adapted her iconography to the extent that it is often difficult to be sure which of the two goddesses is depicted. However, the two deities were not the same. Isis was in many ways a more complex deity who suffered the death of her husband and had to fight to protect her infant son, so she understood the trials and tribulations of the people and could relate to them. Hathor, on the other hand, was the embodiment of power and success and did not experience doubts. While Isis was merciful, Hathor was single minded in pursuit of her goals. When she took the form of Sekhmet, she did not take pity on the people and even refused to stop killing when ordered to do so

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